2007 / Lee Myung-se > It’s probably not a stretch of the imagination to call Lee the most visually stunning director in Korea, if not Asia, but there continues to be a disconnect in his storytelling cohesion. The colors, atmosphere and mood are striking in M, but what the movie is supposed to be is hard to tell. The direction keeps on changing, shifting genres with absolute disregard to the viewer. This would, of course, be completely fine if it ended in an understandable manner, but even that rationale is mostly thrown out the door when the credits roll.