2006 / Menhaj Huda > Flat-scripted and thick-footed, this loose London-based homage to Boyz n the Hood is ultimately cliched to the bone. While it’s plastered with slick style, it falls through in making the viewer care. Aside from the opening sequence, the script is messy with sequences that don’t fit with the overall schematic. Thrown in, they serve to distract the viewer and take up time that could otherwise be devoted to creating a better foundation for the core storyline. However, the shining star of the film is Aml Ameen, who plays the kid who “ought to know better.” Thankfully, the mystery of his character holds Kidulthood together until the end, and helps ease any itchiness one may have to press the stop button.

2004 / Pierre Morel > Finally released in the United States, this Luc-Besson produced, parkour-driven action flick is short, sweet and packed with entertainment. The film stars parkour (commonly known as “freerunning”) co-founder David Belle as a resident of District B13, a crime-ridden area of Paris where the film is set in the year 2010. Much of the film is watching him jump around in it (and that’s a good thing). Those who can look past the blatantly shallow storyline and fairly two-dimensional characters will be rewarded with what is essentially an ADD-proof eighty minutes.

2002 / Lukas Moodysson > Although the film kept my attention throughout, it’s hard to say how much was that because I actually enjoyed the story vs. how much I wanted to see what bad thing would next happen to our protagonist, a 16 year-old girl from Estonia whose mother leaves her for greener pastures in America. The whole film has the “whatever can go wrong, will go wrong” feel to it, which is fine and dandy as long as it’s realistic. Unfortunately, in Lilya 4-Ever, it is realistic, and thus ends up creating a rather dark and depressing atmosphere for nearly two hours.

This is my first Moodysson film, and it delivers on quality. The storytelling isn’t amazing, but by the end of the film we definitely feel for Lilya in her struggles, but at the same time wonder if she tried hard enough to make her life better. That questioning of the protagonist is the strongest point of the film, as usually we are quick to say that those who surround our protagonist are the culprits. Here, we are viewing a naive girl who lacks proper judgment, a flaw that is necessary for the poignancy the film tries to deliver.