1997 / Kiyoshi Kurosawa > Visible horror is often forgettable. It’s the creepy feeling that remains after the film is over that really drives home the chills. Unfortunately, most films fail at this and end up being filled with unnecessitated gore or overtly pretentious psychological mazes. Cure, however, connects with the inner-horror of every man and woman, filling us with a sense of paranoia that may very well stay with us at days on end. What’s amazing, though, is that that feeling isn’t necessarily “evil,” as most horror would expect us to presume. It’s simply a feeling that seems almost eye-opening and surprisingly natural.